Participation Free of Charge

36th JK AYA Registration Open till April 30th, 2026

Ar. Sanjay Puri

Name & Location : Aria Hotel , Nashik , Maharashtra , India

Built up area : 150000 Sqft.

Project Description:

The site for this hotel is gently contoured rising up 9M towards the south with the entry at the lowest level in the north. Situated in the wine growing region of India, the north faces a large river and a dam with hills beyond. The southern side rises up into hills in close proximity to the site. The clients requirements included a large banquet hall of 15000 sq ft in addition to 60 rooms and other facilities

Since the banquet hall would have large gatherings its access is planned directly from the road frontage at the lowest level of the site. The public facilities including the hotel lobby, restaurant, bar, spa & business centre occupy a higher level 6 metres above the banquet hall entered directly from an ascending approach road.

The rooms at the higher level are oriented to face the river in the north or the immediate hills in the south with open circulation spaces & naturally ventilated & skylit courtyards. Each level of the hotel is integrated with the natural contours of the site, minimizing land cutting & landfill. No soil was taken out of the site or brought into the site while constructing, making the construction both economical and sustainable. Over fifty percent of the walls are built with natural black basalt stone available in close proximity of the site. All the circulation spaces are naturally lit & ventilated rendering the building energy efficient. Solar panels on the rooftop, over the banquet kitchen & parking areas generate fifty percent of the electrical energy required for the hotel. Rain water harvesting tanks, with water recycling & reuse further add to the sustainable methods adopted for the design of this hotel. All the rooms, restaurant, spa & banquets open into sheltered balconies & decks that provide outdoor usable spaces whilst minimizing the heat gain into the internal volumes.

At each floor the rooms form rectilinear cuboids that are angled differently creating balconies that frame the picturesque surroundings with 2 floor high suites at the topmost levels. Painted in terracotta color stucco, these frames are juxtaposed with the black basalt stone walls of the lower floors.

Aria Hotel is designed contextually, responding to the site contours, the views of the surroundings, the climate & the materials creating a web of experiences within its different volumes.

Material & Construction Details:

Each level of the hotel is integrated with the natural contours of the site, minimizing land cutting & landfill. No soil was taken out of the site or brought into the site while constructing, making the construction both economical and sustainable

PT construction for banquet to get almost 17M column free space & restaurant area too is planned in PT to avoid unnecessary columns to support the swimming pool.

Large balconies twisting in design is created with almost 4M of cantilever

Single loaded corridors with courtyard assist cross ventilation & natural light. Courtyards are covered along with all non-accessible roof are covered with solar panels. S-W courtyard wall is covered with mangalore terracotta jali to avoid S-W rain to enter whilst allowing breeze & light to come in.

Architects, MEP consultant, Structural consultant, PT design team & Site team working in sync to have an Integrated approach toward design and it’s execution.

Double course walls used externally as well as internally between rooms act as insulation & reduce sound transmission.

Room levels are painted in terracotta colour stucco & are juxtaposed with the locally sourced black basalt stone walls on the lower floors.
Landscape gabion compound walls are also made up of locally sourced black basalt rock.

VRV units are used for air conditioning wherever necessary to reduce consumption

LED lights are used internally as well externally

Terracota jali  is used to cover the S-W wall of the courtyard which not only facilitate natural light & ventilation also creates interesting patterns on different time of the day.

Special Feature:

Nashik receives high rainfall during monsoon months of June to September. Thus water is   harvested in a tank as well as recharged pit to sustain through all other months. Self-sufficient with water catchment areas where in storm water drain system is incorporated and ground water recharge pits are introduced. The entire waste water is recycled. All waste is directed to a sewage treatment plant, recycled and used for flushing and gardening.

Nashik’s tropical location & high altitude combines to give a mild tropical climate. Summers are hot with temperature soaring almost upto 35’C. Solar panels are fixed on roof as well as on covered parking areas to take care of 50% of electrical load of the entire resort.

Existing contours are undisturbed with minimal intervention with no additional soil is brought or removed from the site
60% of the site is left green

Air conditioning is restricted to rooms, restaurants, banquet halls & pre function areas. In these areas too VRV units are fixed to reduce power consumption.
All lobbies & corridors are naturally lit & ventilated with no additional mechanical ventilations.

In all indoor & outdoor areas LED lights are used to reduce power consumption.

Entire resort barring the basement areas used for services & parking are naturally lit & ventilated.

Deep recessed windows with double glazed unit help in reducing heat gain.

The building design is low maintenance with stucco plaster and paint finish.

Landscape is done with regional plants that require minimum water.

All materials used internally too are low maintenance with tiled flooring, textured paint finished walls.

Orientation and recessed windows contributes to 12.46% savings in the overall energy consumption.

Natural ventilation contributed to 4% savings in the overall energy consumption.

Daylight optimization contributed to 3.5% savings in the overall annual energy consumption.

High performance VRV based system contributes to 1.6% savings

Solar power for meet 50% of the requirement. This contributes to 7.4% savings.

Ar. Sanjay Puri

Name & Location : Ras Houses , Ras , Rajasthan

Built up area : 204719 Sqft

Project Description:

A series of low rise volumes amidst open courtyards and landscaped gardens create 61 executive guest house, 47 hostel for bachelor accommodation & 18 studio apartments. Located in Ras, Rajasthan in India, the planning of the internal spaces respond to the desert climate of the location. Deeply recessed windows, open and sheltered courtyards, naturally ventilated circulation spaces & cross ventilated living spaces contribute towards reduced heat gain and naturally cooled interiors.

Each part of this housing development is planned at the existing levels of a contoured site with contour differences of 3 to 8 metres, resulting in economy of construction, minimal cutting ad filling of soil & a resultant height variation that creates character. The organic layout of the housing is derived from old Indian cities with constantly varying scales and changing of axis to create individuality for each part of the housing.

The minimal intervention with the contoured site, low rise planning, facilitation of natural light & ventilation, reduction of heat gain, water recycling & rain water harvesting, use of local labor, fly ash bricks and use of residual energy from a nearby cement plant render this project economical & sustainable. The total area of 204719 sqft was built within INR 1300 per sqft.

Color acts as an integral parameter in differentiating volumes as well as identifying circulation spaces interestingly while alluding to the colors of the region. In Rajasthan colour plays an important role in the lives of the people who wear bright colours daily. Most cities in Rajasthan state are identified by a colour. Jodhpur in Rajasthan is known as the blue city with traditional homes in hues of blue lime plaster. Jaisalmer is known as the yellow city for its traditional houses being built in yellow sandstone. The deconstructed cubes sport varied hues of the sandy region, at different times of the day – visually differentiating the stepped, recessed volumes as well as identifying circulation spaces. With lighter hues on external walls to reflect heat off the surfaces, and darker tones indoors to create a cooler feel, they add impact to the highly ‘responsive’ design solution.

Ras houses is composition of rectilinear volumes rendered in bright colors derived from the traditional Rajasthan color palette adding to the contextual response of the design to its location. The design is responsive to the desert climate and the culture of Rajasthan in addition to being site specific & imbibing the old Indian city’s organic character. It is a low rise housing solution in response to its location, the climate & tradition creating a contextual & sustainable design.

Material & Construction Details:

The building design is low maintenance with sand faced plaster and paint finish.

The RCC frame structure is created from the cement sourced within 1 km of the site reducing transportation costs.

Landscape is done with regional plants that require minimum water.

All windows are deeply recessed to reduce the heat gain.

All materials used internally too are low maintenance with tiled flooring, textured paint finished walls.

Special Feature:

The design integrates the building with the natural contours of the land thereby reducing the cutting and filling of the variations in the ground level.

All apartments face north, north east and north west reducing the heat gain from the south completely since the sun is in the southern hemisphere all year and temperature are in excess of 40°C for 8 months of the year.

Cross ventilation is facilitated in all apartments as well as the circulation spaces.

Fly ash bricks made from the waste of cement plant nearby and is used for all the walls.

The RCC frame structure is created from the cement sourced within 1 km of the site reducing transportation costs.

The building is low rise eliminating the need of mechanical vertical elevators to a minimum only for handicapped people.

All windows are deeply recessed to reduce the heat gain.

Natural light for all rooms and toilets.

All lighting external & internal are in LED

Lighter hues on external walls to reflect heat off the surfaces, and darker tones are used indoors to create a cooler feel.
A lot of landscaped green spaces have been planned around the development, to provide relief from the sandy outdoors. Thus the corridors become cool, airy and sheltered walkways allowing views of the landscaped spaces on either side while walking through and offering interesting experiences each time.

Ar. Sanjay Nayak

Name of the Project: Administrative office of JSW steel coated products ltd, Vasind plant
Typology: Commercial: Plant office
Location: Vasind, Maharashtra
Built Up Area: 55000 sq. ft.
Site Area: 175000 sq. ft. (4 acres)

Sustainable and Dynamic Workspaces
The transformation of the JSW’s Administrative Office at Vasind works plant, Vasind was driven by the need to replace old and outdated, leakage-prone offices buildings in various parts of the plant. The new administrative complex, set in the northwest parcel of the 110-acre plant would bring together the plant administrative offices, housing 150 employees at one location, providing better infrastructure, a conducive working environment reflecting JSW brand as a sensitive, sustainable and dynamic establishment.

The site abuts the Mumbai Nashik Highway. The prevalent 125 m highway setbacks from its centre defined the primary zone of the development. The setback area served as a vital foreground for the development. The earmarked parcel was largely clear, except for tree cover in certain areas and a small old unused structure at the east corner of the parcel.

The design reflects our response of preserving the green cover, minimizing foot print, organizing spaces as per the functional needs & crafting the form in response to the climate. The arrival pavilion, pedestrian walk, the wedge shaped arrival foyer, the connecting corridor to the café and the cafe with utility block beyond is conceived as a series of robust experiences set in landscape. The spaces engage with the landscape through shaded walkways and veranda’s. The built form vocabulary is articulated in local stone and exposed concrete, with glazing at suitable areas, forming the unifying base of the complex. The distinctly crafted linear bars of the workspaces and shared facility’s sit above this unifying base.

Workspaces largely in an insulated glazed cover, overlook views and are well shaded by deep overhangs and localized external screens. The spatial planning strategy along with the light filled spaces and engagement with nature fosters collaboration and interaction among employees. Materials used in the construction of the complex were aligned to the sustainability goals and responsibly consumed, with keeping the wastage factor to a minimum. The material palette comprises of ordinary local materials like Black basalt, Kota, granite, executed with extraordinary quality.
The project has set a benchmark for other plant offices, shaping the work experience and company culture at JSW. Despite pandemic challenges, the project achieved a thriving landscape and a positive, productive work environment. It continues to set new standards in sustainable and dynamic workspace design, aligning with the company’s tagline, “Better Every Day.”

10-point write-up highlighting Sustainable aspects of design:

Need of the project: The transformation of the JSW’s Administrative Office at Vasind works plant, Vasind was driven by the need to replace old and outdated, leakage-prone offices buildings in various parts of the plant. The new administrative complex, set in the open northwest parcel of the plant would bring together the various plant administrative offices at one location, providing better infrastructure, a conducive working environment and reflecting JSW’s brand as a sensitive, sustainable, young, and dynamic establishment. The old structures were cleared for landscaped green areas.

Responsible planning: The prevalent highway setbacks defines the primary zone of the development. The parcel was largely clear, except for tree cover in certain areas. The arrival pavilion, the pedestrian walk, the arrival foyer, the café with its outdoors and the utility block beyond is conceived as a series of robust experiences set in landscape. The compact foot print of the development ensured no damage to the existing trees and minimal disruption to the top soil. This base is articulated in local stone and exposed concrete, with glazing at suitable areas, forming the unifying base of the complex. The distinctly crafted linear bars housing the workspaces and shared functions rest above this unifying base

Form follows climate: The building’s orientation is strategically planned to optimise natural light and ventilation, reducing the need for artificial lighting and mechanical cooling, thereby enhancing energy efficiency. Workspaces largely in an insulated glazed cover, overlook views and are well shaded by deep overhangs and localized external screens.

Interior planning: We spend over a third of our daily life at work. It is essential that the work spaces are thoughtfully designed and conducive for our wellbeing, enabling engagement, being adaptive, getting motivated and creating meaningful work. The key drivers for this are glare free natural light, planning of personal and communal space with optimal density, connecting with nature and expanse, acoustics, ergonomics & adaptive nature. The design attempts to address these needs.

Engaging craft and skill: It was important how the development enables engagement of artisans and celebrates skilled workmanship and craft. We sought to celebrate the extraordinary execution of ordinary materials. This was planned in critical transition and communal areas which would be a showcase to the users and visitors to the office. A few notably were the tight joint local basalt dressed wall leading to the central foyer, terrazzo work in central foyer, skilfully done staircase railing by metal craftsman, sourcing of block print kalamkari fabrics for furnishings from NGO’s working with weaver communities etc

Materiality: The use of locally sourced materials such as Kota stone, granite, and basalt stone minimises transportation emissions and supports the local economy. These materials are chosen for their durability and low environmental impact. The workspaces extensively use JSW’s steel and cement products, showcasing the company’s commitment to utilising its own sustainable materials while ensuring the structure’s longevity and strength.

Responsible consumption: Offices consume a lot of energy and resources. One of the primary aims towards sustainable development is to address how to reduce energy consumption and resources or rather do responsible consumption. We aimed to achieve this through the following ways.

Glazed façades were restricted to areas requiring natural light. Low e double glazing with superior performance criteria was used. It was further shaded by suitable shading devices.
The building roof was thermally insulated externally to reduce the heat gains.
Low consumption LED light fixtures are planned in the building.
Low water consumption fixtures were used in toilets and pantry areas. The waste water was centrally treated in the plant and used for horticulture and make up water for cooling tower.
Efficient water cooled chillers have been planned for the air conditioning of the premises. Most of the transition areas are naturally ventilated, reducing the overall load on the air-conditioning.
Wastage in usage of materials like stone was kept to a very minimum (under 5%) by planning their application in the available sizes.
Paved areas were restricted to minimum as possible and soft-scapes were designed for percolation enabling ground water recharge.
Use of recyclable products and no consumption of plastics in daily use.

Responsible landscape design: Excessive hardscaping around building perimeter causes heat island effect, resulting in heat gains, glare and visual discomfort. The design consciously attempts to minimize hardscape and maximise softscape and tree cover.
Treated water from central plant STP is used to maintain the green cover with carefully planned drip and sprinkler system.

Optimising Life cycle cost: Through adoption of sustainable practices the construction costs of the project were largely optimised. Through sensitive planning the life cycle operational costs of the development are also reduced.

Internal branding ethos: It is well known that the client are patrons of art. The Journey of Vasind works began in 1982. We saw the passion of the plant team who considered the organisation as their family. This led to our proposal of showcasing the overlaps between Self and Work resulting in this beautiful family and which would be more meaningful to the users rather than formal art. This was built through the narratives of Heroes of Vasind (Larger than life photos of blue collar workers), Act of work (capturing people at work), Language of love (quotes in native language and script), Lifelines of Vasind (profile line work of key employees), Tools of Joy (Use commonplace objects from the factory to create interesting arrangements) & Name. Place. People. Things (Anecdote, Achievements, Accolades of people spread out chronologically)

Ar. Shilpa Gore Shah

SHILPA GORE-SHAH
S+PS ARCHITECTS

Shilpa Gore-Shah is a Founding Partner and Design Principal of S+PS Architects which she co-founded with Pinkish Shah in 1997. Shilpa is an alumnus of the Sir J. J. College of Architecture and has completed her Master of Architecture Degrees with Distinction from the University of New Mexico, USA. Shilpa has worked with Ewing Cole Cherry Brott Architects in Philadelphia, Architects Combine & Agora Architects in Mumbai and Anant Raje Architect in Ahmedabad.

S+PS Architect’s design approach is that every project is unique and that the design should evolve through the particular characteristics of each project. Their work is influenced by their interest in History, Academics, Travel and Common Sense. The various international and national awards, publications and exhibitions that have been a by-product of their work, testify to their evolving design sensibilities.

Shilpa has also lectured frequently and served as a juror at various locations and institutions in India and was involved as a Visiting Design Faculty at the KRVIA, Mumbai for more than 20 years. In November 2013 she was the group leader of a workshop held with the Guangzhou
Architecture Faculty of Arts, Sichuan Fine Arts Institute and the Shanghai College of Architecture in Chongqing – the work of which was eventually displayed and won Best Design Award in an International Exhibition organized by DESIGN SHANGHAI 2013. She was also a member of the National Executive Committee of the Institute of Indian Interior Designers from 2017-2019.

Awards
+ Indian Institute of Architects Awards for Excellence in Architecture 2023, Mumbai.
– Enso House – Winner Residential Interior Category
+ Indian Institute of Architects Awards for Excellence in Architecture 2022, Hyderabad.
– The Nest – Winner Residential Interior Category
+ Indian Institute of Architects Awards for Excellence in Architecture 2018, Trivandrum.
– Pavilion House – Winner Residential Interior Category
+ 2018, Collage House was selected amongst four India homes for BBC Netflix – World’s Most Extraordinary Homes – TV series.
+ HUDCO DESIGN AWARDS 2017, Cost-effective Rural/Urban (Innovative/Emerging) Housing, Design. I. Y. Housing
+ DESIGN FOR ASIA AWARDS 2017, Hong Kong – Gold Award, Collage House.
+ Winner 27th JK AYA Indian Architecture Awards, Group Housing Category, Design.I.Y. Housing, Lonavala.
+ Citation by “The Merit List (TML) 2016-17 an initiative by thinkmatter.com, to recognise projects of critical relevance in terms of design and thought in the context of contemporary Indian architecture.
+ NDTV Design & Architecture Awards 2017
– Design.I.Y Housing – Winner, Architecture Award : Group Housing
– Seaside House – Winner, Interior Award : House

+ IIID Design Excellence National Awards 2016, Liminal Living – Commendation, Residential Multi- Dwelling
+ IIID Design Excellence Zone Z2 Regional Awards 2016
– Liminal Living – Winner, Residential Multi-Dwelling
– House in the Clouds – Runner Up, Residential Multi-Dwelling
+ Kolher Bold Design Awards 2016, Collage House –Winner, The Golden Pencil | Category: Residential
+ The India Story Design Awards 2016, Collage House – Winner, Exterior Architecture
+ Elle Deco International Design Awards 2016, Vrindavan Elevator Mesh in Collage House – Winner, Surfaces and Wall Coverings
+ Rethinking the Future Sustainability Awards 2016
– Design.I.Y Housing – Winner, First Award: Category Housing (Built)
– Collage House – Winner, Third Award: Category House
+ Selected amongst the TOP 100 architects in India by Architect and Interior Magazine in March 2016.
+ Indian Institute of Architects Awards for Excellence in Architecture 2015, Kozhikode.
– Design.I.Y Housing – Winner Crossroads Project of the year 2015 from amongst all the awardees in the cycle
+ Indian Institute of Architects Awards for Excellence in Architecture 2015, Kozhikode.
– Design.I.Y Housing – Winner Residential Projects – Housing Category

+ NDTV Design & Architecture Awards 2016, Collage House-Winner, Environmental Design- Climate Zone – Warm & Humid.

+“Collage House” project Shortlisted by “The Merit List (TML) an initiative by thinkmatter.com, to recognize projects of critical relevance in terms of design and thought in the context of contemporary Indian architecture.
+ Selected amongst 14 architecture firms in India by IAB Magazine as “Practices of Consequence” in India in 2013.
+ Shortlisted Entry for 1st International Federation of Interior Architects, 2007 Design Excellence Award held in Korea. The project was also displayed at the exhibition during IFI Design Congress.
+ Indian Institute of Interior Designer’s, Winner, Recreational Spaces-2006 National Round.
+ Indian Institute of Interior Designer’s, Winner, Recreational Spaces-2006 Western Regional Round.
+ Runner Up, Small Office Interior-2006 IIID MK AWARDS National round.
+ Winner, Small Office Interior-2006 IIID MK AWARDS Western Regional round.
+ Runner Up, Large House-2006 IIID MK AWARDS Western Regional round.
+ Awarded, Office Space Category, 2003 by IIID.
+ Indian Institute of Interior Designer’s, the A + D Spectrum Foundation. Commendation Trophy for Innovative Interiors, 2003.
+ Awarded, Best Residential Interior- 2003 by IIID MK AWARDS.
+ Awarded, Best Office Interior Young Design Practice 2000 by IIID.

+ Awarded, IIA-Snowcem Award for Urban Architecture 1999.
+ Awarded, Best Office Interior- Young Design Practice 1998 by IIID.

Ar. Uttam C. Jain

Shri Ram Naik

Brief profile of Shri Ram Naik Hon’ble Governor of Uttar Pradesh

Born on 16th April 1934 at Sangli, Manarashtra. Shri Ram Naik had his schooling at Atpadi in his home district. He secured B.Com degree in 1954 from Pune University and LLB degree in 1958 from Mumbai University.

He started his career in the A.G. Office Mumbai as a Upper Division Clerk and later rose to higher post. He worked as company secretary and management consultant till 1969. 

A RSS Swamyasevak from child hood, Shri Ram Naik resigned from the services to work as Organizing secretary of Mumbai Unit of Bhartiya Jan Sangh and continued for 8 years. He was also elected President of BJP Mumbai Unit for 3 terms.

Shri Ram Naik represented North Mumbai Lok Sabha constituency as BJP MP and had a track record of getting elected successively for five terms. Before that he was MLA for 3 consecutive terms from Borivali assembly which is a part of his parliamentary constituency. As a people’s representative he used to present his annual performance report to the Voters to uphold the democratic principle of accountability. 

Besides being a seasoned Parliamentarian Shri Ram Naik held a number of posts like – 

Bharatiya Jana Sangh, Organizing Secretary, Mumbai

Janata Party, President, Mumbai

Bharatiya Janata Party, President, Mumbai (3 terms)

BJP Vice President, Maharashtra

BJP National Executive Member

BJP National Chairman, Disciplinary Committee

BJP National Convener, MPs and MLAs Development Cell

BJP National Convener, Good Governance Cell

Chief Whip Lok Sabha (1991-196)

Chairman Public Accounts Committee (1995-1996)

Minister of State for Railways (Independent Charge), Planning and Program Implementation, Home and Parliamentary Affairs (1998-1999)

Cabinet Minister of Petroleum and Natural Gas (1999 to 2004) The only Petroleum Minister to work for 5 years after creation of a separate Petroleum Ministry in 1963 to 2014.

Among the Parliamentary achievements, Introduction of ‘Vande Mataram’ in the Parliament, Change of name from ‘Bombay’, to ‘Mumbai’ in all languages, Introduction of MPLAD Scheme and successfully piloting a private member’s bill for promotion of breast feeding and ban of advertisement of baby foods which subsequently became an act.

He is President of International Leprosy Union, Pune

Fighting and personnaly arguing for rehabilitation of Project Affected Persons of Tarapur Atomic Power Project 3 & 4 in Mumbai High Court from 2004

He wrote a book titled “A Saga of Struggle” which narrates with the cause of Tarapur Atomic Power Project affected persons.

On 25th September 2013 Shri Ram Naik declared that he would not contest Lok Sabha elections as he has contested 10 general Elections continuously. He will, however, continue to work for BJP sharing his political experience. 

He was designated as the Governor of Uttar Pradesh on 14th July 2014 and took oath of Office on 22nd July 2014. 

Ar. V.R. Atre

Ar. S.A. Tungare

Ar. Rusi Khambatta

Ar. Rajiv Mishra

Ar. Prof. Rajiv Mishra, Mumbai  

(Student Jury)

Prof. Ar. Rajiv Mishra is a distinguished Architect and Urban Planner based in Mumbai, known for his extensive contributions to architectural education and administration.

Since 2008, he has served as the Principal of Sir J. J. College of Architecture at the University of Mumbai, a prestigious institution. In addition to this, since 2015, he has held the significant position of Director at the Directorate of Art – Government of Maharashtra.

Prof. Mishra has dedicated over 27 years to teaching, conducting numerous seminars and workshops on diverse subjects including Architecture Design, City Planning, History and Theory of Architecture, and Urban Management. His specialized interests encompass Sustainable Urbanism, Community Architecture, Heritage Conservation, Technology in Building Management, Classical Arts, and the evolving education of architects and planners. He has actively engaged in research to bridge the gap between architectural education and professional practice.

His administrative roles also include serving as Chairman of the All India Board for Architecture Education by AICTE for two terms (2010-13 and 2013-16) and as Chairperson of the NBA evaluative committee for Architecture Education (2011-13). He was also an elected Executive Committee Member at the Council of Architecture (2012-2015 term).