Participation Free of Charge

36th JK AYA Registration Open till April 30th, 2026

Ar. Kamal Sagar

The living, dining and kitchen are housed in a single level structure at street level in the front, and the bedrooms in a two level structure,placed half a level lower, accessible through half a flight of stairs, either up or down from the living room level, unlike a regular duplex homewhich requires climbing two flights to get from one level to the other. This also makes the entire home appear to be a low and inviting single level home from the street.

Apartments
Challenging the notion that high rise apartments can’t have the same feel as single family homes on the ground, each apartment has its own
private garden with sprinklers and a drip irrigation system, with the gardens cantilevering in alternate directions on consecutive floors in
the single level apartments, and large double height gardens with water bodies and wood decks in the duplex apartments. These terrace
gardens required considerable soil depth to accommodate the landscape design requirements and so, to lighten the structure and to
allow more light to the gardens, the slab below the terrace gardens is curved upwards towards the edge while still providing sufficient
overhang for the interiors of the homes.

Single Level Apartments
The 2,500 sq.ft. single level apartments are “L” shaped in plan, with the living, dining, kitchen and one bedroom opening out onto the
landscaped terrace garden. The apartments are housed in a circular tower, four to a floor, with each unit occupying one quarter of the circle,
ensuring long views from the home, radially outwards and no two apartments looking into each other.

Duplex Apartments
Each 5,924 sq.ft. duplex apartment, has a large 70’ x 14’ double height garden, wood deck and water body, with a glass deck from the family
space at the upper level that allows you to step out and enjoy the garden without cutting off the light to the wood deck below. The water
body running along the outer edge of the garden is also a safety feature, preventing one from getting too close to the edge. All the 4
bedrooms and the family space, living room and kitchen open out onto this large garden.

Clubhouse & Amenities
The clubhouse structure is also designed with a green roof, with overhanging plants acting as the curtain over the peripheral glazing. The
clubhouse includes a heated pool, gym, theatre, library, squash courts, guest suites and cloak rooms.

Windmills of Your Mind
Windmills of Your Mind is designed around the idea of deeply embracing nature and blurring the boundaries between the indoors
and outdoors. From the terrace gardens of each individual apartment and the earth sheltered roofs of the single family homes, to the
landscaped skywalk on the rooftop of the apartment towers, the total horizontal landscaped area in the project is larger than the area of the
land on which the project is built. The exteriors of the buildings, including the 19 storey towers, in exposed concrete and brick, and the
internal roads in black cobblestones, will look better with age and blend with the natural landscape.

Bangalore, often called the silicon valley of India, is a city of start-ups and successful young professionals. The project is designed to house a
community of 405 families from all over the world – global professionals that desire a simple, but high quality contemporary lifestyle. With a total built area of 1.75 million square feet on a 24 acre property that slopes gently towards a small lake, all 405 homes are designed in a manner that almost every space within each home opens out to a garden through large sliding glass panels.

Each home was furnished and fitted out and handed over in a ready-to- occupy condition. The interior layout and design of each home is customised around the functional and lifestyle needs of each family, while maintaining control over the overall design language. This was
made possible through a special proprietary software, eBuild, developed for this purpose – through which good design is made
available to several hundred home buyers. Custom furniture was manufactured through a special production facility set up by the
architects. The design language is clean and modern, yet warm and inviting.

Single Family Homes
The 3756 sq.ft. earth sheltered single family homes have been designed with an “L” shaped plan with the back of the L set against the
neighbouring home, to create a large garden space on the inside of the L, and allowing almost every space in the home to open out, through
large wall to wall sliding glass panels, to this garden.This layout with common walls between two adjacent homes also avoids the cluttered
look of several individual homes in a row.

The curved shell roofs of these homes are covered with a blanket of earth that keeps the homes cooler in summer and warmer in winter
and also helps reduce storm water runoff. Homeowners grow strawberries, tomatoes, green chilies, okra and even papayas and
bananas on these roofs.

Ar. Kiran Venkatesh

Name & Location: Campus for National Assessment & Accreditation Council, Bangalore

Cost of Project (INR): Rs. 14 Crores

Built-up area: 10,000 Sq.meter
(In case of Public Building minimum built-up area should be 1000 sq. meter)

Description of Project:

The project brief for the NAAC Campus in the Bangalore University Campus called for multiple building blocks to house different programs – library, offices, conference facilities, guest rooms and staff housing.

The 5 acre site has a curving road on the west – the design mimics this sweep in a corridor, termed the spine, which becomes the connecting tissue for the various components of the program. While the library, offices and conference facilities are organized parallel to the spine, the guest rooms and staff housing are elevated on stilts at a height of 5 meters and project perpendicular to the spine. The elevated bars allow for the landscape to extend under these parts of the building – thus restricting the extent of ground footprint.

The internal organization is an intensification of the open office concept – spaces are organized within visual reach of each other, even though they might be separated by voids to glazing functionality. The main space of the library is a 15m tall volume with floating island-like functional platforms – flooded with natural light from skylights in the roof and the end polycarbonate skin, the library becomes the terminal focus of the sweeping form. The Director’s office occupies a prime visual position – standing at the corner window, one can enjoy the panoramic view of the entire library space.

Materials of Construction Details:

The structure is mostly based on a large span conventional column–beam concept. The largest spans (typically at the Library end) are framed in structural steel with polycarbonate and galvalume sheet skin.

Infill walls are concrete masonry blocks with plaster and paint. Window openings are filled with Aluminum framework and glazing. The extensive use of skylights ensures that there is adequate natural light throughout the day – reducing the need for artificial lighting to a bare minimum, mostly only needed under extremely cloudy circumstances. The sweeping curve of the spine is designed on the First Floor with a double skin – the outer skin is a perforated metal screen and the inner one is an aluminum framed glazing. A passage in between the two layers allows for maintenance of the same.

Special Features:

The architectural concept was to bring together the different programs rather than separate them physically and then connect them by external paths. The single “long – sweeping” block housing these various “disparate” programs was conceptualized as a single continuum to enable increased interactions, facilitate closer communication and intensify chance meetings.

The programs organized in a seamless ribbed curve with natural light, ventilation and open interiors create varying shadow patterns. This dynamic aesthetic that changes with ambient conditions offers a captivating spectacle.

End cantilevers and plan staggers were used as a strategy to resolve the end conditions of the buildings. Inclined ends make the terminations more dynamic & visually extend the building into the space beyond.

The section was used as a tool to ensure functional separation – different programs were conceived at different levels and “joined” along a spine with stairs and ramps. The building becomes a hybrid container of multiple programs which are connected visually but retain functional separation. For example, the library is separated from the offices by a “cut” or a “void” which is crossed by a bridge connector – entry and exit need to be controlled only at this bridge, but the library remains visually open from within the offices.

The stairs are articulated in the central atrium; a place of dynamic perception; with different viewpoints of the various levels unfolding along the climb.

The exterior and interior are patterned by a series of lines (through the metal louvers, storage shutters etc.) that emphasize horizontality.

Ar. Manjunath C.N.

1. Title – Cover page illustration

The Thesis project started with a deep affection towards the indigenous tribes of Wayanad, Kerala with research questions and architectural inquiries addressing tribal community resilience by empowering their vernacular from getting endangered. The project also envisions the regenerative potentials of architecture for creating a sustainable, ideal ecosystem by using nature as a building material.

Kerala’s once-prosperous agrarian civilization had seen a steady metamorphosis over the years, shifting from the production of food crops to cash commodities such as spices and rubber. The situation was exacerbated by the conversion of large-scale rice farms. Kerala has lost more than 70% of its land to rice cultivation in the last 30 years. Several farmers gave up farming owing to a drop in profitability, while others found other means of income, such as international remittances. Kerala’s consumerist society is now heavily reliant on its neighbouring states for grains, fruits, and vegetables, among other necessities.

The “Adivasi” -tribal group of Wayanad, who refer to themselves as the ‘Ippimala makkal’ children of ‘Ippi hill’ – Banasura peak Wayanad) is one community that urbanized nontribal left their bad influence on. Poverty and illiteracy are the two major reasons that led to the decline of the community. A group of people who have been living, sustaining and celebrating with a lot of values passed on from traditions and in-depth knowledge – skill sets who are currently on the verge of extinction. These groups must be preserved without losing their cultural history and values.

As they strive to fit in with the rest of society, they not only find it difficult to blend in but their values and traditions are also forgotten. They are discriminated against and are under a great deal of stress in their lives. As a result, they find themselves working as unskilled labour on sites and in barren fields.

2. Representational sketches depicting the 5 main tribal groups in Wayanad

Thus project uses a participatory design approach to develop community resilience and regeneration in a dying tribal community. Native arts, languages, building methods, and ceremonies saw a comeback, resulting in a new sense of unity and cohesiveness among many tribes. The proposed centre has the potential to be an important tool in the formation of tribal identity. The proposed centre will also envision:

Development of the community by aiding them with adequate facilities, training, and source of income generation.

Sustenance of knowledge by bringing up a platform to share their ideas and to implement them. It would help in sustaining their community, increasing their knowledge, and mastering their skill set.

But, acknowledging the fact that different tribal groups have different histories, cultures, and beliefs; it is difficult to bring people together under a common umbrella of a dwelling system. Thus, only a unifying institution system, such as a school, training centre, or a cultural space where they can exhibit their dance and other art forms, can gather people together and save the dying communities from their introverted hamlets.

These tribal groups should be enlightened with the payoffs of their strengths and capabilities to such a degree that can make them proud of their traditions and values. Thus, an awareness centre is needed to motivate and extract them from their heaves of depression and addiction. Only then will their younger generations would stick back to their forest roots and traditions. Hence, saving an entire community from extinction.

Therefore, my role as an architect is to mediate and devise a system through their voices and design a prototype model adaptable to their cultural beliefs which can be built with the participation of the whole community.

ARCHITECTURAL & CONCEPTUAL STRATEGIES: 

3. View towards the Community hall from farmland.

The thesis intends to create an architectural interface bridging the gap between the tribal groups and the urban society. The space will act as a knowledge hub, a platform to educate and get educated, to share, understand and grow together.

To examine, encourage and celebrate the traditional knowledge systems with their intricate links to the people, their crafts, and the forest.

Implementing participatory design approach adapting to the vernacular construction techniques and locally sourced materials conveying a strong sense of ownership and belonging and setting an ideal example of the green-efficient carbon neutral construction system.

The center will act as an institutional hub with a residential school as core providing exposure to students – adapting to the green school – ‘gurukul’ education system where they learn through life experiences. They are also made aware of their traditional values and cultural significance along with the formal education system.

Training centers will be provided for the elderly promoting their handicraft skill sets and knowledge systems.

The spaces will thus complement the activities of the tribe which in turn would amplify the efficiency of the community.

To enhance their needs and quality of life by bringing a balance between internal localized traditional culture, economy, and external links.

4. View of inchicolu – tribal green school.

The 3 main user groups would be, Tribal children – who will be given opportunities for green school – gurukul education system within the forest enabling them to develop respect and understand values carrying forward traditional practices. Tribal adults – who will be given a space for community gathering, knowledge exchange, and vocational skill development which would also act as a source of income generation and add stability in life. N.G.O representatives and government officials – would be provided with spaces to work and collaborate with tribal groups, providing better exposure.

Farming is a key component in achieving self-sufficiency. The Adivasi may be preserved through reviving traditional cultivation techniques and organic agricultural practices, which emphasize collaboration and teamwork.

Permaculture is characterized as the construction of agricultural ecosystems that are self-sufficient and long-term. Bamboo is readily available, and its harvesting, treatment, and use for construction, handicraft product manufacture, and other uses may all contribute to the development of a self-sufficient society. Using locally obtained bamboo for the building is cost-effective and environmentally friendly, having a minimal carbon impact.

5. View of lunch hall integrated with permaculture vegetable garden

Participatory design entails user participation in design for work practice. This involvement of stakeholders and end- users together allows the design process to be more I open and lends itself to user-centered design innovation since it nurtures a more creative development atmosphere. The approach is focused on processes and procedures of design and is not a design style.

The site is located in the Southern range of Wayanad district abode of the largest number of Adivasi (71.95% of state Adivasi population), sandwiched between Padri Reserve Forest and Kabani River. It is located deep inside the forest where: 5 main types of tribal groups are present in close proximity of the site. Access from the city is easy as the route provides a way for rear-side entry to Kuruva Island provided by the forest department.The site is adjacent to agricultural paddy fields where irrigation is possible with adequate water resources. Bamboo is available in surplus quantities as the region is proximate to the Kabani River.

ARCHITECTURAL LANGUAGE:

The project framework is characterized by a basic architectural language drawn from Wayanad’s indigenous tribal groups’ vernacular construction skills. Because the design is based on a participatory approach, community participation is essential for incorporating their practices and employing their knowledge and skillsets. As a result, the program has been divided into numerous modular pieces for simplicity of assembly.

Taking reference from the contextual material palate, the project utilizes locally sourced natural materials such as earth for foundation and enclosure, bamboo for the structural system, and rice straw for thatch roofing.

Passive lighting and ventilation techniques are used welcoming maximum natural light into the interiors and uninterrupted wind flows through the built. Rammed earth walls provide sufficient insulation and control heat gain.

6. Interior view from school upper level – multifunctional hall.

A lightweight thatch roof with broad eaves provides shade and protection from driving in rain. The design strategically brings in skylight through roof opening and releases hot air by stack effect. Solar panels can be installed at ideal locations receiving maximum sunlight to increase energy efficiency.

Characteristic analysis of vernacular patterns and tribal interpretation of spaces enabled to embed a design strategy that is simple and open for user interpretation. Activity mapping from the existing tribal hamlets highlights the importance of verandas and supporting spill over spaces for recreation and social interaction. Veranda spaces are actively used for resting, eating, and discussion. Most of their activities occur in the open ground and courtyard spaces.

The visual connectivity and porosity of spaces allow natural elements to enter the constructed environment. The design was created with minimal border transitions and careful awareness of the ecology of the land while keeping a link to the forest roots. Using prominent features, the building modules are gently positioned along the axial direction of the site. This provides for optimum land efficiency with little changes to the topography of the site. The presence of many entries at various levels of the site emphasizes the site’s spatial and functional aspects. This can also be used to regulate privacy levels.

The design concept of ‘Synergy’ is well explored by incorporating open and continuous spaces with multiple interconnections providing maximum opportunities for interaction. The open planning of spaces allows the user to utilize the space to their free will and own interpretation. Several nodes and transitional courtyard spaces act as gathering areas that accentuate activity generation. The design incorporates maximum views to the paddy field and adjacent surroundings maintaining harmony with the site context. Transparency is maintained with only sufficient buffer provided for efficient functionality and enhancing user experience.

The different programs are categorized into 3 main zones – Public Interface, educational programs and accommodation facilities. The functional areas under the zones include a community hall “Aetukottilu” and a performance area for the tribal community, a green school for children “Inchicolu” and vocational training units for adults, bamboo craft production area and permaculture farm with granary storage units, hostel facility for school children and guest accommodation cottages for external public.

7. Interior view from community hall elaborating the seamless connections and pathways.

“Aetukottilu”- Community hall is designed with a simple open plinth base respecting the spatial requirements of the tribal user group. The building sits well on site contour with an entrance bridge provided from road level to the first floor. An arched bamboo structural system eliminates the central columns and achieves a larger span.

The N.G.O office block is planned with a very porous and welcoming atmosphere with verandas and a central courtyard area. The integrated amphitheatre seating spaces can be used discussions and cultural performances. Office spaces are internally connected giving maximum functionality and efficiency. Built-in seating spaces are provided along the passage areas.

8. Arial view of school depicting how built is gently integrated into the landscape.

“Inchcolu” – A school complex is made up of various masses, each of which serves a distinct purpose, such as classrooms, libraries, multifunction halls, offices, student dormitories, ‘Anganwadi’, and lunch halls. The school’s atmosphere is reminiscent of the ancient practice of learning under the trees and might be seen as a modern adaption of the gurukul learning experience. Allows children to perform as they study, supporting the green school education curriculum of learning via actions. The dynamic in-between areas are crucial for multi-functionality and one’s relationship to the natural environment. Adapting to natural biomorphic patterns and groupings aided in the creation of beneficial sensory and psychological effects.

Various landscape methods have been implemented with a context-sensitive approach that takes into account the ecology of the site. The runoff water from the slope is directed to the catchment pond via various bio-swales and drain pipes.

The thesis project “Punarieevan” as a whole provides a chance to bring together various tribal groups via active participation and interaction. Various methodologies have been used to investigate the regeneration capacity of permaculture farming and bamboo as a lifeline material. An owner-driven construction handbook is also being produced as a first contribution to the implementation phase, which may be disseminated around the community. The guidebook explains the many stages of construction, as well as the instruments needed, material selection processes, treatment techniques, and joinery details. During the project’s building, the handbook can be used as a reference. Once implemented, the region may serve as a model – a catalyst for tribal revitalization and wellbeing.

Ar. Namith Verma

Ar. Neeraj Narhar Kulkarni

Salient Features of the Project

Name & Location: Restoration and Reuse of Bhate Wada to Swami Vivekanand Museum, Belgaum, Karnataka, India.
Cost: Rs. 2.68 crore Built-up Area: 1735 sq.m.

Description of Project:

Consultancy services for Restoration, Refurbishment and Adaptive Reuse of Bhate Wada as Swami Vivekananda Memorial, an initiative of Ramakrishna Mission, Belgaum. The project involved the below listed works:

Background study and research

Site inspection and analysis [building, site and site context]

Structural restoration/ conservation

Adaptive reuse planning

Design development and conceptualisation

Spatial planning and curation

Development of comprehensive interpretative material

Graphic design [panels, brochures, etc] and execution

Formulation and execution of technical specifications [lighting, ventilation, etc]

Design implementation

Onsite inspection and monitoring

Materials of Construction Details:

The 19th century building had undergone several changes in the past, some none too desirable, and its resultant distress of various kinds. Differing kind of uses also meant different levels of care and maintenance by different users, which caused further issues. Although largely the structure was found to be in a reasonable condition, many parts of the building needed urgent conservation measures. They are as listed below:

The top floor faced an unfortunate incidence of fire that had completely burnt down the roof structure. On preliminary inspection, the area was found to be protected by a plastic sheet, which was tied to the charred wooden rafters by nylon ropes.

Unsympathetic later additions in the form of an RCC staircase in the front also marred the elevation seriously, while a two storeyed construction did the same on the rear side.

The front portion of the verandah was supported on leaning timber sections that needed immediate attention.

Some cracks in the masonry needed to be worked on, as did the lime mortar plaster works. Later done hard cement pointing too had to be reversed to the breathing original lime mortar.

Timber doors and windows required spot repairs to make them smoothly functional.

Building services of electrical, plumbing and sanitation were other areas of concern that were to be upgraded and modernised to prevent accidents such as fire, etc.

Other details such as indigenous trees, traditional seating areas, wells, compound walls, decorative features, etc were also in a poor condition and needed to be protected.

Thus, four years of rigorous work by different teams of experts and volunteers successfully restored the Bhate Wada to its past glory and made it reusable for the future generations. All the above listed issues (and more) were addressed to and conserved using traditional materials and techniques. Some of the materials and techniques are highlighted below:

Conservation and restoration, wherever necessary, of original timber stairways, interior ceiling planks and wooden trusses in the ground, second and first floors.

Strengthening, repair and part reconstruction of front façade with lime mortar and lime plaster.

Restoration of original mud flooring in the second floor using indigenous materials such as clay and cow dung.

Reconstruction of mud-mortar walls in the ground and first floors.

Repair and reconstruction of Mangalore-tiled roof along with its gutters and fascia boards.

Relaying traditional clay tiles and red-oxide for balconies and interior floors.

Conservation of antique statues and paintings.

Walls mainly repaired and conserved using original aggregate, lime mortar, lime plaster and lime wash.

Special Features:

Apart from standing as a fine example of a traditionally styled, western-coastal Maharashtrian or Goan home, the Bhate Wada (residence) showcases a rich collection of paintings, photos and statues that help narrate the story of its inhabitants and guests. Special care was taken to protect the structure’s authenticity and integrity such that all its attributes, that play a vital role in making it special, are conserved for the next generations to see. Each material and technique (as discussed in the previous section) were analysed and tested in depth such that they are replicated with precision. This not only preserved the structure, but also conserved the indigenous skills and methods of construction.

Along with the entire conservation and restoration process, what sets this project apart from the rest is its museum that was tastefully designed by the team go give a flavour of Karnataka, Belgaum and Bhate Wada to its audiences. The idea was to make it an interactive experience, such that they learn about the history and Swami Vivekananda through an engaging and entertaining process. Care was taken to respond to the context by ensuring that no aspect of the building is hidden behind any exhibit, allowing for the audiences to imbibe the space as it would have been during Swamiji’s visit. Additionally, free standing structures were largely built to avoid drilling holes and causing injuries to the original fabric. Local materials such as Bamboo was used in construction to encourage the local arts and crafts of the region.

 

Ar. Nikhil Arni

Ar. Nisha Mathew Ghosh

Name & Location: Freedom Park – Bangalore, Karnataka, India

Cost of Project (INR): Complete Project: ₹10 Crores ,Hospital Block: ₹2 Crores

Built-up Area: Gross Floor Area of Park: 3800 sqm ,Hospital Block: 1200 sqm
(In case of Public Building, minimum built-up area should be 1000 sqm)

Description of Project:

Amongst many restorations at the Freedom Park (converted from the old Central Prison of Bangalore), the old hospital block stands as the most recently completed and is slated for adaptive reuse as a place for the literary and book-loving citizen.

The central tower space converts into a book exhibition space flanked by the outdoor trapezoidal book-reading courtyard, a map room (for detail memorabilia on the park), and an educative coffee bar on the roof slab.

The old shell is kept intact and the insertion of a mezzanine and the trapezoidal plate are the means by which a multivalent space is made available for the public

Materials of Construction Details:

The old walls are re-plastered over wall-strengthening measures and retain coloring that was originally Gopi plaster finish.

The new inserts are both materially, constructionally, and by visual recall, a contrast to the old — steel, crisp stone-edged, blue ‘markers’.

Special Features:

The new roof is reminiscent of the old red tiled pitched roof of yore, but creates a dynamic, shifting new skyline. It makes its presence as an ‘insert’ over the old shell, evident by its hovering form that does not touch the old but separates from it.