Participation Free of Charge

Nominations open for Great Master's Award

Ar. Md. Iqbal Habib, Ar. Md. Ishtiaque Zahir & Ar. Shahnaz Akhter Parveen

NAME & LOCATION:Ekmattra DBBL Academy, Haluaghat, Mymensingh, Bangladesh

BUILT UP AREA : 606 Thousand 2900SQM

PROJECT DESCRIPTION:

The project is an academy for the ‘EKMATTRA’ foundation which provides a home for the destitute children of Dhaka city. It was founded with the vision of creating a place of hope with a sense of freedom and ambience to dream boundlessly.

The site is defined at Haluaghat, a remote landscape of northern district Mymensingh with lush green encircled by seasonal water channels at three sides in the context of a hilly background of Indian border. Built on a 3.4 acre land, the idea of the project was to create a place of learning, rest, and play. The built sheds are positioned to create a free-flowing space transiting from the court of learning to the court of play & leisure. The existing trees are embroidered with the built masses to blend into each other. The water retention ponds at the south and north are to safeguard the site from flush flooding besides acting as a pool of retained water in dry season.

Like the common rural settings of built forms in Bangladesh, the northern courtyard or ‘Uthan’ at the beginning at north facilitate an ‘administration block’ at the east with health centre, multipurpose room and a kitchen which connects with pathways leading to the dining room and the two storied teachers’ quarter at the south. The other ‘academic block’ at the west with vocational training facilities is parallel to the administration building creates the conglomeration space for daily parade and formal gathering. The northern transit by a shift of axis into the southern courtyard contained by two single story boys’ dormitory blocks accommodating 80 boys & their adjacent toilet extensions. The two storied girl’s dormitory block accommodating 64 girls at the north with its common toilet is segregated from this court by a water pond at its south to create a cooler ambience for the living space. The Academy accommodates a maximum of 144 children at a time. The accommodation for the teachers is at a transit towards the dormitories to keep the compound under surveillance. It creates a sense of safety and security without a physical barrier in place for segregation. The complex accommodates a stage for open-air performances with the amphitheater which during leisure time is used as a play area too.

Program:

Administration building

Amphitheatre.

Academic building

Rain water preservation

Staff quarter

Agro farm

Girl’s dormitory

Playgrounds Deck

Boy’s dormitory

Wire mesh boundary wall

Local burnt bricks with exposed flush pointing technique are used as basic walls and floors, while locally available folded metal plate roof with metal framed windows are used. Doors created with colorful plywood panels framed on MS frames. The extended MS metal truss used to create a light roof structure with a buffer gap facilitating light hot air to blown away with the breezes, thus keeping the ‘usable space’ underneath in a comfortable temperature at all seasons. The overhang roof lines also ensure the required shades for the walls and protect them from rain as well. The roof waters are designed to be stored in a large rainwater harvesting tank to support with potable water at the dry seasons.

The project has a unique mode to explore the agriculture-based livelihood, Vernacular architecture and native landscape of the region, to get inspiration for knowledge and ideas to build up aspiration of life, bigger than its dreams. Thus, nature lies in its true sense at the core of its ambience. The objective of the project is to:

Creating a building in resonance with the vernacular architecture of the region, such as incorporating natural cross ventilation by detaching the roof from the main brick structure.

The building was design in a linear fragmented way to break up the massing creating small scale spaces of landscape traditionally called “UTHAN” for the children creating a village like rural fabric. And like all rural villages in the region the building blends with the surrounding landscape.

The project tries to address the human side of the project objective by:

Bridging between the local context & culture with the destitute children of traumatic past.

Bringing back into their life a sense of hope beholding the nature, light, water and breeze.

Training them with skill, but not limiting in scope to strive, ignite with knowledge of nature as to empowering them to dream.

The Academy, aimed to fulfill these with its space, setting, efforts & ambience. The development process subsequently employed local builders, embraced local community and vis a vis contributed to local economy by acquiring most of the construction materials locally.

 

 

Ar. Saiqa Iqbal Meghna

ZEBUN NESSA MOSQUE

A monolithic pink concrete mosque finds its location at the edge of an existing waterbody amidst a fast-growing industrial area at the outskirt of Dhaka City. The mosque is designed as a Permeable Pavilion that establishes deeper connection between water and land which serves as both as spiritual and breathing space within an industrial compound. The owner of the industry wanted to build a mosque for the workers to commemorate the memory of his late mother in the hope of inducing softness within the harsh industrial area. This narrative inspires the architect to design the mosque as a spiritual-social space enhancing mutual care and trust between owner and the workers.

The mosque incorporates elements that allow for filtered natural light and ventilation, creating a “breathing pavilion”. The mosque features a simple yet effective design, with a monolithic mass situated on a high plinth, reminiscent of the vernacular house forms built on ‘Bhiti’ (mound) in the deltaic landform of Bangladesh. The plan of the mosque evolves from simple geometric shapes, with a square surrounding a circular volume to create four enclosed gardens that serve as light courts on each side. The outer square volume melts into subtle curves in the east and west directions to interact with the site forces. The north-east hanging corner of the curve wall defines the main entry, facing the existing node of the two main internal roads of the industrial compound. The thick concrete walls are perforated with small rectangular voids. Filtered light seeping through the voids resembles hanging lanterns of old mosques. 

The double layered thick walls create a microclimatic atmosphere within the mosque ensuring thermal comfort. Sunlight plays inside the garden-courts along the ‘jaali’ openings and reflects into the interior spaces while the heat dissipates out from interior. Being in a hot and humid climate the mosque is designed and encouraged to be a true naturally ventilated space devoid of any artificial air conditioning. Cool breeze passes through all openings coming from the outside natural waterbody that flows across the sequence of constructed water-pool to the interior prayer hall to outdoor elevated plinth surface. The doors and other thresholds are all made with perforated metal sheets to ensure filtered flow of wind during the heavy monsoon. All these features establish the very idea of a ‘breathing pavilion’, a deeply rooted architecture form of this tropical climate.

Mono-materiality is expressed through the exposed pigmented concrete structure. The warm hue of the rusted pink concrete form has a cooler turquoise hued mosaic floor. The outside broken brick mosaic work is an innovative take on the age old terrazzo and mosaic flooring where broken brick pieces are used instead of  marble pieces. Addition of broken bricks on the traditional terrazzo flooring adds an excellent friction for the exterior floors surfaces. With its perforated as-cast pigmented concrete surface and uniquely crafted terrazzo floors, this handcrafted mosque promotes local craftsmanship which is becoming extinct due to the market pressure of using readymade imported building materials. 35-40% of the shuttering material is reused from the old shuttering material that were used during the construction of the adjacent washing hub building. 

A shallow thin shell dome levitates over the perforated curve walls, elevating the singular interiority of the prayer hall. Use of the shallow dome comes as the most efficient means of covering a large span in terms of cost effectiveness and material optimization. The floating dome evokes the structural ingenuity of covering large space without intermediate supports manifested through chronological development of mosque architecture in the Islamic world.

Unlike solid qibla walls in conventional mosques the qibla of this mosque is defined by a wide arched opening on the subtle curved western wall. A reflective waterbody connects the turquoise mosaic interior through the arched opening to the existing pond, allowing the prayer space to flow seamlessly towards a light-filled infinity. The mosque is devoid of any glass surface except for the translucent glass mihrab which is placed on the shallow water body. The glass mihrab is uniquely hand crafted on site using local glass pieces. 

The south-east courtyard of the mosque holds a perforated metal stair connecting to the crescent shaped upper floor preserved for female workers of the industrial complex. The space serves both as a meeting and prayer space for the women. A ‘Chhatim’ tree is planted near the stair to make the space filled with fragrance at the time of full bloom. Participating in the mosque activities caters a sense of empowerment and belongingness within the female workers of the industry.  

The ablution area is designed to induce a sense of spirituality during the act of purification before performing the prayer. The rustic pink mosaic floor becomes turquoise representing tranquility. The turquoise and pink mosaic with carefully laid broken brick pieces reflects the mastery of age-old craftsmanship where the use of these colors connects with the collective memories of the users. The used ablution water is recycled and reused for watering the gardens. 

PROJECT SIGNIFICANCE

(Please indicate why you feel this project is important and should be considered for the Award.)

The very concept of designing it both as a prayer space and a social space for community gathering is remarkable. The owner of the industry wanted to build a mosque for the workers to commemorate the memory of his late mother in the hope of inducing softness within the harsh industrial area enhancing mutual care and trust between owner and the workers. A significant focus was to engage the women workers into the religious and social activities of the mosque by providing designed space for them. 

The planning constraints was to design the mosque within a confined leftover space of an industrial compound, surrounded by existing ETP plant, washing hub, garment and utility buildings and numerous scattered ducts and pits. It was very challenging to maintain construction flow within a running factory zone which also got interrupted during the covid lockdown. The whole team comprising the owner, architects, construction team and craftsmen efficiently orchestrated the whole process.

Mono-materiality is expressed through the exposed pigmented concrete structure. The power of traditional craftsmanship is expressed anew with customized use of locally available materials.

The interior atmosphere remains cooler than exterior temperature as gentle breeze passes through double layered perforated walls, shallow water body, shaded light courts and gardens adorned with fragrant flowering plants. The mosque celebrates the seasonal attributes of the tropical climate. The mosque’s architecture promotes natural ventilation and employs recycled water for the gardens – embodying the vision for a space that respects and enhances its natural surroundings.

The design approach to this mosque, integrating sustainable practices, engaging the community, and balancing the modern with the traditional, showcases the owner’s and architect’s commitment to architecture that serves people, respects nature, and enriches the spirit. The mosque not only offers a serene oasis for the workers of Ashulia but also stands as an inspiring example of how architecture can foster a sense of belonging, care, and spiritual well-being in even the most unexpected places.

 

ARCHITECTURE CREDITS:

Project Name: Zebun Nessa Mosque

Office Name: Studio Morphogenesis Ltd.

Lead Architect: Saiqa Iqbal Meghna

Contact email: saiqa@studiomorphogenesis.com

Partner in Charge and Design Team Member: Suvro Sovon Chowdhury

Associate Project Architect: Muntasir Hakim

Other Team Members: Shahla Karim Kabir, Minhaz Bin Gaffar

Firm Location: Dhaka, Bangladesh

Other Consultants:

Construction: IDS Adress Maker

Structural Consultant: TDM

Metal Stair Structural Consultant: Faysal Anwar

Electrical Consultant: Eyashin Ahamad

Plumbing Consultants: Shafiqul Bari, Shah Newaz Kabir

Glass Mihrab: Collaboration with Artist Wakilur Rahman

 

Project Information:

Completion Year: 2023

Gross Built Area (m2/ ft2): 6060 sq.ft.

Project Location: Ashulia, Bangladesh 

Program / Use / Building Function: Mosque / Civic Building/ Public Building

 

Detail TIMETABLE (If required)

Commission: October 2019

Design:  October 2019 to December 2020

Construction: June 2021 – November 2023

Occupancy: November 2023

ADDITIONAL INFORMATION

Please append visual materials (i.e., slides, photographs, drawings, or sketches) and also indicate possible sources of information on the project, bibliographical or other.

Sources of  information on the project:

Ar. Saif Ul Haque

Ar. Saif Ul Haque, Bangladesh

Ar. Saif Ul Haque is the known name in the field of Architecture in Dhaka, Bangladesh. He is running his own firm ‘Sthapati’. His firm has completed many projects in Bangladesh. He attended various seminars and received various awards including ARCASIA awards. He was also involved in teaching, research and various other architectural activities. Ar. Saif Ul Haque has also published various papers, presentations etc. His work has attracted lot of media attention and his name has regularly been appearing in media. Ar. Saif Ul Haque has also travelled around the world.

Ar. Shaila Joarder

Ar. Shaila Joarder

Representing Bangladesh from the foreign participating countries is Ar. Shaila Joarder.

Ar. Shaila is a Graduate in Architecture from BUET and Master of Built Environment (Sustainable Development) from The University of New South Wales, Sydney, Australia. 

She is currently the Associate Professor & Chairman of Department of Architecture, North South University, Bangladesh.  Ar. Shaila is affiliated to number of professional bodies in Bangladesh and she is recipient of many awards & honours.   A number of her papers have been published in various conferences & seminars as well as reputed journals both domestic as well as international.  Besides teaching, she is also Managing Partner of NAYREET Architects and has done number of projects that includes factory complex, residential complex, educational institutes, rehabilitation centres, hostels, etc.

Ar. Shamsul Wares

Ar. Mahmudul Anwar Riyaad

Short CV of Architect Mahmudul Anwar Riyaad

Name: Architect Mahmudul Anwar Riyaad

Nationality: Bangladeshi

Date of Birth: 25th April 1969

Associate Professor, at the Department of Architecture BUET

Coordinator History, Theory & Criticism Division, Dept. of Architecture BUET.

Principal architect DWm4 Architects 

B. Arch from – Bangladesh University of Engineering and Technology (BUET), 1995

M. Arch from – Bartlett (UCL) 1998

Visiting Faculty in various Private and Public Universities. (CUET, NSU, BRAC)

Member of The Board of Architectural Education of IAB.

Served as the Education Secretary of IAB in two consecutive terms.

Served as the Publication Secretary of IAB for one term.

Served as the Convenor of the AAA (Arcasia Awards for Architecture) 2019.

Editor of the book “50 years of Architecture in Bangladesh”

Winner of several Scholarships, Awards and competitions. Including, 

British Chevening Scholarship for Post Graduate studies in Architectural Design.

IAB and OZetecture joint award for Glenn Murcutt Master Class.

S K Memorial Gold Medal for excellence in undergraduate studies at BUET.

JK Cement Award 

Berger Award for Excellence in Architectural Design

Ice Today Award for interior Design & IAB Award for design in two occasions.

 

Ar. Abu Sayeed M. Ahmed

Ar. Abu Sayeed M. Ahmed, Bangladesh

Ar. Abu Sayeed M Ahmed is the Professor and Head at The University of Asia Pacific, Dhaka, Bangladesh and also working as free lance architect since 1997. He has total 27 years of experience in architectural field. He also holds the responsibility of Vice President, Institute of Architect Bangladesh and other higher positions at various architectural organizations.

Ar. Bashirul Haq

Ar. Haroon Ur. Rashid

Ar. Jalal Ahmed

Ar. Jalal Ahmed completed his B.Arch from the Bangladesh University of Engineering and Technology; and was a partner at Diagram Architects in Dhaka, Bangladesh from 1983-1997.

His famous competition winning projects include the Franco-German Embassy complex in Dhaka; North-South University campus, Dhaka; Mujibnagar Memorial in Kushtia, the BCIC Pavilion at the Dhaka Industrial Fair; and others. He has been a visiting faculty for design studios at various universities in Bangladesh, and has many remarkable publications and published projects to his credit.

A member of the Institute of Architects Bangladesh, he is the recipient of many awards and honors. His project ‘Disappearing lands: Supporting communities affected by river erosion’ won him the gold medal for the 2018 Arcasia award for architecture. His other awards include:

Lafarge Holcim Asia Pacific Award for sustainable design, 2017

The International property award Asia Pacific region, 2017

IAB Design award, 2016

Intbau Excellence award, 2016

Berger award for excellence in architecture, 2015

Presently, he is the principal architect and managing director of JA Architects Ltd. In Dhaka, Bangladesh.